IAT810:Current events
CALENDAR
READING LIST SUBJECT TO CHANGE BASED ON NEEDS OF THE CLASS
ASSIGNMENT SUBMISSIONS: PLEASE BE SURE TO PUT YOUR DATE | NAME | STUDENT # | COURSE # ON THE TOP RIGHT OF ALL YOUR ASSIGNMENTS!!!
IN CLASS RULES
- NO LATE ASSIGNMENTS, ASSIGNMENTS TO BE HANDED IN AT THE BEGINNING OF CLASS
- NO CELL PHONE, NO LAPTOPS, NO iPADS, NOTHING!
Week 1 : SEP07 . HISTORY OF DIGITAL TECHNOLOGY
Be sure you have read and are prepared to discuss: (refer to bottom of page for .pdf of the readings)
a) Plato, “The Allegory of the Cave,” in the Republic, Book VII. Boston: Pearson Custom Publishing, 2000. 13-18.
b) Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,”
c) Bolter & Gromala. “Text Rain,” in Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency, Cambridge: MIT Press, 2007.
d) Booth, Wayne C., Colomb, Gregory G. and Williams, Joseph M. The Craft of Research, Chicago: University of Chicago Press, 2008. 35-57.
Assignment DUE WEEK 2 Bring to class and turn in, 2 copies of one page that contains:
1. A reading that you consider to be essential for a course like this, properly cited (any academic bibliographic citation style is acceptable).
2. Your research question (this week’s version). By the way you structure this, you must demonstrate that you have a clear understanding of the reading from The Craft of Research.
3. Your definition of (what constitutes) New Media, with examples. You need to write this in the form of an argument, not opinion or anecdote. State your position and provide examples. Include counter-positions and tell us why you don't think they are as valid as your definition. What are the boundaries of what counts as New Media? What is included? What is excluded? Why?
Week 2 : SEP14 . HISTORY OF COMPUTER TECHNOLOGY
Lecture: Prof. Chris Shaw, History of Computer Technology Media:IAT810-HCIHistory.pdf
Discussion of lecture and Bolter & Gromala reading.
Presentation: Plato & Co. (Black Box)
Assignment DUE WEEK 3 One page, 9pt., 1.5 line spacing, printed both sides, to be handed in after grammar & spelling are checked
1. write about one aspect of Benjamin's reading (1 page)
2. define the difference between media and technology. Use examples to support your views. (half page, other side of same piece of paper)
Include at least 3 references, from class readings or other readings.
For Week 3, be sure you have read and are prepared to discuss:
a) Innis, H. The Bias of Communication, 1951, Toronto, ON, University of Toronto Press, pgs. 33-60.
b) Standage, Tom. The Victorian Internet, NY, Penguin Putnam, 1998 (pgs. 57-65, 100-104, 145-163, 204-213)
Optional readings: available in The New Media Reader, Wardrip-Fruin & Montfort, eds.
As We May Think, Vannevar Bush, 1945
Computing Machinery and Intelligence, Alan Turing, 1950
Man-Computer Symbiosis, J. C. R. Licklider, 1960
From Augmenting Human Intellect: A Conceptual Framework, Douglas Engelbart, 1962
Sketchpad: A Man-Machine Graphical Communication System, Ivan Sutherland, 1963
The Ultimate Display, Ivan Sutherland, 1965
Week 3 : SEP21 HISTORY OF COMMUNICATION TECHNOLOGY
Lecture: Prof. John Bowes, History of Communications & Media Technology (2 hours) Media:CMNSHISTORY.pdf
Presentation
Discussion Lead class discussion: Innis: Tyler Fox (~30 min.)
Assignment DUE WEEK 4 Print out one on piece of paper, both sides:
side 1: List New Media (half page), list Traditional Media (half page)
side 2: What criteria did you use to distinguish between New and Traditional Media? How, when or why will so-called New Media become old? (one page)
For Week 4, be sure you have read and are prepared to discuss:
a) Bolter, J. David & Grusin, Richard. "Immediacy, Hypermediacy, and Remediation", pgs. 20 - 50, from Remediation, Cambridge MA, MIT Press, 1999
b) Lavin, Maud. “The Berlin Dada Photomontages”. (pgs. 13- 46) from Cut with the Kitchen Knife: the Weimar Photomontages of Hannah Hoch.
Optional readings:
When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, Carolyn Marvin
The Printing Revolution in Early Modern Europe, Elizabeth L. Eisenstein
Why Things Bite Back: Technology and the Revenge of Unintended Consequences, Edward Tenner
Week 4 : SEP28 . MEDIA, MEDIATION, REMEDIATION, IMMEDIACY
Discussion Remediation, relationships among old and new media
Assignments:
One page, printed both sides.
side a)
1. Examine the table of contents (TOC) of The New Media Reader.
The editors organized the readings according to particular themes or ideas.
Create a rough taxonomy that differs from theirs; that is, develop a different kind of method for determining different headings for all of the readings.
Part of the assignment is for you to figure out what each article is about. It might help to pretend you are an anthropolgist or alien.
side b)
Be sure to:
a) Articulate what the author's criteria were for their organizational headings
b) Articulate what your criteria are, and why yours is different from theirs.
If space is an issue, you may use the author's first and last names. If an author has written more than one article, be sure to indicate this.
You may cut and paste from this site:
http://www.newmediareader.com/book_contents.html
(still side b)
2. Choose three works of new media that in some way are closely related to your research area. Each needs to be created any time at or after the year 2000. List the following information for each of the three works:
Title
Creator(s)
URL (if applicable)
Short description in YOUR words
Short articulation of how each work relates to your research area.
Articulate why you are interested in each work.
Also articulate what you think may be problematic with each work. Remember, we don't worship in this class.
READING ASSIGNMENTS WILL BE IN YOUR LETTER SLOTS BY MONDAY (04OCT2010).
For Week 5, be sure you have read and are prepared to discuss:
a) Forward to Media in Transition, David Throburn, editor, Edward Barrett, Henry Jenkins, associate editors, MIT Press, Cambridge MA.
b) McLuhan, Marshall. The Playboy Interview (pgs. 233-269) in The Essential McLuhan, ed. Eric McLuhan and Frank Zingrone, NY, Harper Collins, 1998.
Optional readings:
S.M. Eisenstein. Selected Works Vol. 2: Towards a Theory of Montage, 1937-40 (v. 2).
Dziga Vertov. Kino-Eye: The Writings of Dziga Vertov. Esp. "On the Significance of Nonacted Cinema," "The Essence of Kino-Eye," "The Man with the Movie Camera"
Week 5 : OCT05 . R E M I X, M A S H U P S, C O N V E R G E N C E, M A C H I N I M A
Presentation: Gromala: Ideology Media:IAT810f10ideo.pdf, (Lavin):Erin (McLuhan):Jay. (Forward to Media in Transition): Derek.
Assignment Be sure you have an understanding of the main ideas of each author of assigned class readings we have covered.
For Week 6, be sure you have read and are prepared to discuss:
a) Manovich, Lev. "Introduction" to The New Media Reader. Wardrip-Fruin & Montfort, eds. Cambridge: MIT Press, (on reserve)
Augmentation: Erin (From Manovich's position in the Language of New Media to a later article.)
b) Murray, Janet. "The Four Essential Properties of Digital Environments," pgs. 71-94, from Hamlet on the Holodeck, Cambridge MA, MIT Press, 1998.
Augmentation: (volunteers?) from Lister et al., New Media: A Critical Introduction. London: Routledge, 2003.
c) Murray, Janet. "The Aesthetics of the Medium," pgs. 97 - 182, from Hamlet on the Holodeck, Cambridge MA, MIT Press, 1998.
Optional reading:
Bush, Vannevar (1945). "As We May Think," in The New Media Reader. Wardrip-Fruin & Montfort, eds. Cambridge: MIT Press. pp.35-48.
Nelson, Theodore (1965). "A File Structure for the Complex,the Changing and the Indeterminate." in The New Media Reader. Wardrip-Fruin & Montfort, eds. Cambridge: MIT Press. pp.133-146.
Leyton, Michael. "The Foundations of Aesthetics," in Computational Aesthetics. Fishwick, Paul, ed. Minneapolis: University of Minnesota Press. pp.289-314.
Week 6 : OCT12 . S T R U C T U R A L P R I N C I P L E S
Presentations (Eisenstein: Montage): Sharifi. (Vertov's Kino Eye): Fox. (Tenner): Vidyarthi.
Discussion: Manovich & Murray
In-class Assignment Which of the various definitions of aesthetics do Manovich and Murray refer?
Assignment for next week Write a short (1 page, both sides) essay defining what a story is and how storytelling has been affected by interactive media. Be sure to state your position in an introductory paragraph, argue your point by using examples and counter-arguments, and cite references appropriately.
For Week 7, be sure you have read and are prepared to discuss:
a) Introduction to Narrative Concepts Jim Bizzocchi author & editor [includes excerpts from David Bordwell, Kristin Thompson, Gary Larson, and others]
b) Bizzocchi, Jim. Games and Narrative: an Analytical Framework Loading, Online Journal of the Canadian Game Studies Association, Vol 1, No 1 (2007), <http://journals.sfu.ca/loading/index.php/loading/>
c) Ryan, Marie-Laure. Avatars of Story (pgs. 6 - 16), Minneapolis MN, University of Minnesota Press, 2006
Week 7 : OCT19. NARRATIVE, NARRATOLOGY
Presentation & Discussion Citational practices; How to Read on Fire; Narrative, Narratology Media:IAT810f10narrative.pdf
(Ryan: Avatars): Saberi, (Bizzocchi): Gromala; (Abstraction): Gromala; (Computational Aesthetics): Gromala
In-class: discuss final project
For Week 8, be sure you have read and are prepared to discuss:
a) Ryan, Marie-Laure, "Will New Media produce New Narratives", pgs. 337-359 in Narratives across Media: the Languages of Storytelling, ed. Marie-Laure Ryan, Lincoln Nebraska, University of Nebraska Press, 2004
b) Aarseth, Espen. "Chapter One: Ergodic Literature," in Cybertext: Perspectives on Ergodic Literature, Baltimore: Johns Hopkins University Press, 1997. http://www.hf.uib.no/cybertext/Ergodic.html
c) Gunning, Tom. "The Cinema of Attractions", in Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser, BFI Publishing, London, 1990. (pgs. 56-67)
d) Aarseth, Espen. "Genre trouble: Narrativism and the art of simulation response; New media as story, performance, and game". In N. Wardrip-Fruin & P. Harrigan (Eds.), First Person: New Media as Story, Performance, and Game (pp. 45–55). Cambridge, MA, USA: MIT Press, 2004. http://www.electronicbookreview.com/thread/firstperson/vigilant
homework: Turn in your proposal for your final paper (or project if you can convince me). One page, one side. Be sure to include:
Optional reading:
Borges, Jorge. "The Garden of Forking Paths," in The New Media Reader, Wardrip-Fruin & Montfort, eds. Cambridge, Mass.: The MIT Press.
Lescure, Jean. "A Brief History of the Oulipo," in The New Media Reader, Wardrip-Fruin & Montfort, eds. Cambridge, Mass.: The MIT Press.
Calvino, Italo. "Prose and Anticombinatorics," in The New Media Reader, Wardrip-Fruin & Montfort, eds. Cambridge, Mass.: The MIT Press.
Fleishmann, Monika & Strauss, Wolfgang. "Public Space of Knowledge: Artistic Practice in Aesthetic Computing," in Aesthetic Computing. Fishwick, ed. Cambridge, Mass.: The MIT Press, 2006.
Ryan, Marie-Laure. Narrativity and Its Modes as Culture-Transcending Analytical Categories, Japan Forum, Volume 21, Issue 3 November 2009 , pgs. 307 - 323.
Week 8 : OCT26 . N A R R A T I V E + I N T E R A C T I V I T Y
Presentation: (Aarseth/b): Babak Farzadkish, (Fleishmann & Strauss): Sharifi, (Gunning): Mozhgan Akhgari; (Aarseth/d): Derek
Discussion Narrative forms: stories or fields of perception? Stories and space (Fleishmann & Strauss).
For Week 9, be sure you have read and are prepared to discuss:
a) Crawford, Chris. The Art of Interactive Design, pgs. 77-90, No Starch Press, San Francisco, 2003
b) Eskelinen, Markku. "Towards Computer Game Studies," pgs. 36-44 in First Person: New Media as Story, Performance, and Game, Wardrip-Fruin, Noah and Harrigan, Pat. Cambridge MA, MIT Press, 2004
c) Juul, Jesper. "Introduction to Game Time", pgs. 131-142 in First Person: New Media as Story, Performance, and Game, Wardrip-Fruin, Noah and Harrigan, Pat, Cambridge MA, MIT Press.
d) Hoffman, H. G., Doctor, J. N., Patterson, D. R., Carrougher, G. J., & Furness, T. A. r. (2000). Virtual reality as an adjunctive pain control during burn wound care in adolescent patients. Pain, Mar; 85(1-2), 305-309.
Optional Reading:
Lowgren, Jonas. "Articulating the Use Quality of Digital Designs," in Computational Aesthetics. Fishwick, Paul, ed. Minneapolis: University of Minnesota Press.
TURN IN . R E V I S E D . ONE PAGE PROPOSAL FOR YOUR FINAL PROJECT/PAPER: one page, one side. Include:
TITLE
BRIEF DESCRIPTION/ABSTRACT (2-4 sentences).
Example: Historically, human, not animals purportedly are the only creatures that have emotions. Yet recent research in Animal Studies and Artificial Intelligence suggest that emotions are not limited to humans. I will write a paper comparing the ideas that emotions are felt by entities other than humans, by comparing Animal Studies author Robin Tweet's idea of 'Bird Brain & Bee Waggles' to AI/artist Beau Bo's ideas of 'Motion/Emotion.' In the first half of my paper, I will argue that emotions may be experienced by non-human entities, drawing on the work of both authors.In the second half of my paper, I will explore possible ways to design alternative interfaces for my monstrous thesis project, provisionally titled, "Do Amebas Tell Stories Among Themselves During Co-Flaggellation?")
GOAL: (2-3 sentences) Example: My first goal is to explore how the design of interfaces for animals may require different strategies, if non-humans can experience emotion. Specifically, I will focus on the movement of Amebas and possible Ameba-silicon chip interaction. In this thought experiment, I will outline my approaches to interface design, along with sketches, diagrams or photographs if they serve to more clearly communicate my design ideas. My second goal is to explore this issue in preparation for my thesis. My third goal is to force myself to learn how to write research papers. If this paper is successful, I plan to submit it to the journal Leonardo.
SCOPE: This paper will be approximately x,xxx (number of) words, examples of bio-artists whose works relate to the notion of emotion in non-humans (specific artworks and publications by the artists and/or critics).
MILESTONES: By November X, I will have read the author's submission for Leonardo, have Dr. Gromala and Meehae Song read my preliminary argument in schematic form, along with two paragraphs that describe the idea put forth by each author, and bullet points of my (critical) analysis. By November XX, I will show the class artworks I have found to support my idea, and ask Dr. Gromala and Meehae Song if they think my design approach makes sense, and if my citations of artworks are appropriate.
Week 9 : NOV02. INTERACTION, VIDEOGAMES, PLAY
Presentation: (Crawford): Alfatoony, (Eskelinen): Milloy, (Hoffman): Wang
Discussion
For Week 10, be sure you have read and are prepared to discuss:
a) Barthes, Roland. "Death of the Author", pgs. 142 - 148 in Image-Music-Text, Roland Barthes, [transl. Stephen Heath], NY, Hill and Wang, 1997.
b) Eco, Umberto. The Open Work, Translated by Anna Cancogni, Harvard University Press, Cambridge, MA, 1989.
c) Courtwright, David T. "Forces of Habit", pgs. 1-5, 69-111, Harvard University Press, Cambridge, MA, 2001.
d) Green, Mitchell S. "Self Expression", pgs. 171-211, Oxford University Press, USA; First Edition edition (January 10, 2008).
Week 10 : NOV09. AUTHORSHIP, CO-AUTHORSHIP+ INTERACTION
Presentation (Barthes + Eco): Ashenhurst, (Courtwright): O'Connor, (Green): Vidyarthi
Discussion
For Week 11, be sure you have read and are prepared to discuss:
a) Mori, Masahiro. "The Uncanny Valley.," in Energy, Energy, 7(4), pp. 33-35, 1970. Translated by Karl F. MacDorman and Takashi Minato
b) Ross, Christine. "New Media Arts Hybridity: The Vases (Dis)communicants Between Art, Affective Science and AR Technology", in Convergence, Vol. 11[4]:32-42, Sage Publications
c) Wolfe, Cary. What is Posthumanism?, pgs. 3-30 (Ch.1), 283-300 (Ch. 11), Minneapolis: University of Minnesota Press, 2010.
Optional readings:
deBord, Guy. Society of the Spectacle,
NOTE: CONFERENCE HOSTED BY SIAT: CINESONIKA NOVEMBER 12-14(21), cinesonika.com
Week 11 : NOV16 REAL, MODEL, SIMULATION
FINAL PAPERS DUE!
Presentation (Wolfe: Ch. 1): Ashenhurst, (Wolfe: Ch. 11): D'Arcy O'Connor, (Mori): Akhgari, (Ross): Maryam Saberi
Discussion
For Week 12, be sure you have read and are prepared to discuss:
a) Manovich, Lev. The Language of New Media, Cambridge MA, MIT Press, 2001, pgs. 176-212.
b) Wolfe, Cary. What is Posthumanism?, pgs. 127-144 (Ch. 5: "Learning from Temple Grandin"), Minneapolis: University of Minnesota Press, 2010.
c) Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. (Chapter 2: The Bleed: Where the Body Meets Image) Durham: Duke University Press, 2002. 46-67.
d) Anonymous, "Mimicking Human-Human Interaction: A Framework for Perceiving the User’s Self-Expression in HCI" submitted to CHI 2011, May 7–12, 2011, Vancouver, BC, Canada.
Week 12 : NOV23 EMBODIMENT PART ONE
Presentation (Massumi): Sharifi, (Wolf: Ch.5 "Learning from Temple Grandin"): Fox, (Anoymous): Saberi
Discussion Embodiment: Is there a virtual? Whose bodies? Where are our bodies?
For Week 13, be sure you have read and are prepared to discuss:
a) Wolfe, Cary. What is Posthumanism?, pgs. 145-168 (Ch. 6), Minneapolis: University of Minnesota Press, 2010.
b) Turkle, Sherry. "Inner History", in The Inner History of Devices, ed. Sherry Turkle, pgs. 2-29, The MIT Press, Cambridge, MA, 2008.
c) Verlager, Alicia Kestrell. "The Prosthetic Eye", in The Inner History of Devices, ed. Sherry Turkle, pgs. 32-40, The MIT Press, Cambridge, MA, 2008.
d) Jewitt, C. Technology, Literacy, Learning: A Multimodality Approach. London: Routledge. 2006. (Intro+) Chapter 5.
Optional reading:
a) Teilhard de Chardin, Pierre. Noosphere,
b) Castells, Manuel. Readings from: The Power of Identity, The Information Age: Economy, Society and Culture Vol. II.
Week 13 : NOV30 EMBODIMENT PART TWO: Who's Body?
Presentation: (Wolf: Ch. 6: From Dead Meat to Glow-in-the-Dark-Bunnies): Coles, (Turkle+Verlager: Intro + The Prosthetic Eye): Wang; (Jewitt): Milloy
Discussion Humans and/are Animals
Readings
Plato, “The Allegory of the Cave,” in the Republic, Book VII. Boston: Pearson Custom Publishing, 2000. 13-18.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,”
Bolter & Gromala. “Text Rain,” in Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency, Cambridge: MIT Press, 2007.
Booth, Wayne C., Colomb, Gregory G. and Williams, Joseph M. The Craft of Research, Chicago: University of Chicago Press, 2008. 35-57.
Innis, H. The Bias of Communication, 1951, Toronto, ON, University of Toronto Press, pgs. 33-60.
Standage, Tom. The Victorian Internet, NY, Penguin Putnam, 1998 (pgs. 57-65, 100-104, 145-163, 204-213)
Bolter, J. David & Grusin, Richard. "Immediacy, Hypermediacy, and Remediation", pgs. 20 - 50, from Remediation, Cambridge MA, MIT Press, 1999
Lavin, Maud. “The Berlin Dada Photomontages”. (pgs. 13- 46) from Cut with the Kitchen Knife: the Weimar Photomontages of Hannah Hoch.
Forward to Media in Transition Book Series, David Throburn, editor, Edward Barrett, Henry Jenkins, associate editors, MIT Press, Cambridge MA.
McLuhan, Marshall. The Playboy Interview (pgs. 233-269) in The Essential McLuhan, ed. Eric McLuhan and Frank Zingrone, NY, Harper Collins, 1998
Manovich, Lev. The Language of New Media, Cambridge MA, MIT Press, 2001, pgs. 212-285, 314-333
Murray, Janet. "The Four Essential Properties of Digital Environments," pgs. 71-94, from Hamlet on the Holodeck, Cambridge MA, MIT Press, 1998.
Murray, Janet. "The Aesthetics of the Medium," pgs. 97 - 182, from Hamlet on the Holodeck, Cambridge MA, MIT Press, 1998.
Introduction to Narrative Concepts: Jim Bizzocchi author & editor [includes excerpts from David Bordwell, Kristin Thompson, Gary Larson, and others]
- Will be distributed via hardcopy
Bizzocchi, Jim. Games and Narrative: an Analytical Framework, Loading, Online Journal of the Canadian Game Studies Association, Archives: Vol 1, Issue 1 (2007),
Ryan, Marie-Laure. Avatars of Story (pgs. 6 - 16), Minneapolis MN, University of Minnesota Press, 2006
Ryan, Marie-Laure. Narrativity and Its Modes as Culture-Transcending Analytical Categories, Japan Forum, Volume 21, Issue 3 November 2009 , pgs. 307 - 323.
Ryan, Marie-Laure, "Will New Media produce New Narratives", pgs. 337-359 in Narratives across Media: the Languages of Storytelling, ed. Marie-Laure Ryan, Lincoln Nebraska, University of Nebraska Press, 2004
Aarseth, Espen. "Chapter One: Ergodic Literature," in Cybertext: Perspectives on Ergodic Literature, Baltimore: Johns Hopkins University Press, 1997. www.hf.uib.no/cybertext/Ergodic.html
Crawford, Chris. The Art of Interactive Design, pgs. 77-90, No Starch Press, San Francisco, 2003
Eskelinen, Markku. "Towards Computer Game Studies," pgs. 36-44 in First Person: New Media as Story, Performance, and Game, Wardrip-Fruin, Noah and Harrigan, Pat. Cambridge MA, MIT Press, 2004
Juul, Jesper. "Introduction to Game Time", pgs. 131-142 in First Person: New Media as Story, Performance, and Game, Wardrip-Fruin, Noah and Harrigan, Pat, Cambridge MA, MIT Press, 2004
Barthes, Roland. "Death of the Author", pgs. 142 - 148 in Image-Music-Text, Roland Barthes, [transl. Stephen Heath], NY, Hill and Wang, 1997
Eco, Umberto. The Open Work, Translated by Anna Cancogni, Harvard University Press, Cambridge, MA, 1989.
Courtwright, David T. "Forces of Habit", pgs. 1-5, 69-111, Harvard University Press, Cambridge, MA, 2001.
Gunning, Tom. "The Cinema of Attractions", in Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser, BFI Publishing, London, 1990. (pgs. 56-67)
Aarseth, Espen. "Genre trouble: Narrativism and the art of simulation response; New media as story, performance, and game". In N. Wardrip-Fruin & P. Harrigan (Eds.), First Person: New Media as Story, Performance, and Game (pp. 45–55). Cambridge, MA, USA: MIT Press, 2004. http://www.electronicbookreview.com/thread/firstperson/vigilant
Manovich, Lev. The Language of New Media, Cambridge MA, MIT Press, 2001, pgs. 176-212.
Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. (Chapter 2: The Bleed: Where the Body Meets Image) Durham: Duke University Press, 2002. 46-67.
Mori, Masahiro. "The Uncanny Valley.," in Energy, Energy, 7(4), pp. 33-35, 1970. Translated by Karl F. MacDorman and Takashi Minato
Van Looy, Jan and Baetans, Jan. "Close Reading New Media: Analyzing Electronic Literature," (pgs. 8-13), Leuven University Press, Leuven, Belgium, 2003
Wolfe, Cary. What is Posthumanism?, pgs. 3-30 (Ch.1), 127-168 (Ch. 5 & 6), 203-238 (Ch. 8), 283-300 (Ch. 11), Minneapolis: University of Minnesota Press, 2010.
Ross, Christine. "New Media Arts Hybridity: The Vases (Dis)communicants Between Art, Affective Science and AR Technology", in Convergence, Vol. 11[4]:32-42, Sage Publications
Hoffman, H. G., Doctor, J. N., Patterson, D. R., Carrougher, G. J., & Furness, T. A. r. (2000). Virtual reality as an adjunctive pain control during burn wound care in adolescent patients. Pain, Mar; 85(1-2), 305-309.
Anonymous, "Mimicking Human-Human Interaction: A Framework for Perceiving the User’s Self-Expression in HCI" submitted to CHI 2011, May 7–12, 2011, Vancouver, BC, Canada.
The Inner History of Devices, ed. Sherry Turkle, pgs. 2-40, The MIT Press, Cambridge, MA, 2008.
Jewitt, C. "Technology, Literacy, Learning: A Multimodality Approach". London: Routledge. 2006. (Intro+) Chapter 5.
Green, Mitchell S. "Self Expression", pgs. 171-211, Oxford University Press, USA; First Edition edition (January 10, 2008).
Hart, Chris. "Doing a Literature Review", pgs. 1-25, Sage Publications, USA; First edition (March 1, 1999)
